Patterns is a 4 channel Eurorack sequencer designed for deep flexibility and hands on performance.
Each channel supports up to 64 steps, with essential creative tools like randomisation, probability, gate length control, swing, clock divisions, and more, giving you everything you need to build evolving, dynamic rhythms.
Its 4×4 grid layout makes programming intuitive and performance friendly, letting you quickly visualize your sequences and punch in steps with ease.
But the real power of Patterns lies in its dedicated Pattern button, your instant gateway to 16 different pattern slots. Switch between them on the fly, program your custom pattern chains, or use CV to jump between patterns and create unexpected breaks, fills, and experimental grooves.**
Whether you’re building complex arrangements or just jamming, Patterns gives you the immediacy and depth to stay in the flow.
Blast is designed to make crafting great great kick drums easy! Blast focuses on the essential elements of a kick drum: delivering enough punch to stand out in the mix while maintaining a full, rich sustain.
The challenge of kick synthesis comes in balancing the low-end depth, mid-range impact, and high-frequency clarity. Blast features a unique envelope that offers fast decay and slower release for amplitude, ensuring a tight, punchy transient while preserving fullness. Additionally, the Body Control slider allows you to control the weight of the kick, adding depth and power without overwhelming the mix.
With tools like compression, envelope shaping, and subtle distortion, Blast gives you the flexibility to shape the transient for just the right amount of impact and definition—without overcomplicating the process. Whether you’re aiming for a clean, punchy sound or a more versatile tone, Blast provides intuitive controls that adapt to a wide range of musical styles. It’s built to help you get the sound you need, simply and effectively, without compromising on quality.
Features:
Analog kick drum module
Manual and trigger input
Separate amplitude and pitch decay controls, both with CV inputs
Unique envelope offers a fast decay with a slower release
Body control to increase the weight of the kick
Compression with soft clipping
Pitch amount to determine how offset the initial pitch is
Blendable waveshape distortion with wave-folding
Thru-zero FM input
AM input
Accent input with level/accent attenuator
Tuning control as well as 1V/Oct input for consistent pitch tracking
Final output as well as a unipolar positive and unipolar negative amp envelope output
Hatz v3 features an analog circuit including 2 types of noises: “Metals” generates stable, high-frequency square wave oscillations, which are essential for the metallic, bright tone characteristic of hi-hats. “Texture” generates a unique, digital form of noise that has a slightly “stepped” quality, adding a texture that’s not as smooth as white noise but offers a desirable grit.
Hatz offers the classic combination of an open hat and closed hat wich can be choked together to create interesting and dynamic grooves.
Hatz also offers independent envelopes per channel for precise transient shaping, and a bandpass filter for frequency control. Patching Panda have spent a long time fine-tuning and carefully selecting the right components to contribute to a complex, high-quality hi-hat sound and the end result provides flexibility, realism, and a tonal richness that elevates the hi-hat beyond basic analog percussion.
Features:
Analog hit-hat module combining 2 kinds of noise: complex (LFSR) noise and metallic (LOGIC) noise .
Bandpass filter for each individual channel with CV.
Vintage drum machine style accent
Choke switch.
Decay control with CV input for the open hat.
Decay control for the closed hat.
Hold input for opening the envelope via gates or CV.
Patching Panda presents Particles, a four-channel trigger modulator that is designed for maximum playability and fun by adding variation and manipulation to your clock and trigger signals.
Using the four sliders and pair of knobs, you can quickly dial in variation to your patterns for more interesting rhythms while also being able to quickly switch back to the original input. Particles can shift and scramble the outputs, repeat triggers with different time signatures, and use sequential switching to continually transform its grooves and breakbeats.
Particles is ideal for building up quick and interesting rhythms or injecting a bit of controlled chaos into static trigger patterns!
The Moon Phase is a Stereo 12dB/octave state-variable multimode filter with a powerful imaging technique to enhance and alter the stereo field.
Patching a single signal into the left input will run it through both filters, but a separate right input is available for processing an existing stereo signal path or two separate mono signals. A single frequency knob will set the base cutoff point for both filters, with a span control that will spread both peaks further apart in either direction.
Moon Phase features eight different filtering modes. Each of the eight modes will switch between various combinations of filter types for the left and right channels, such as Dual Lowpass, Lowpass/Notch etc. (see manual for more details). There is also a CV input for mode which allows for stepping through filter modes like a sequential switch, things can also get wild when feeding this input audio rate signals.
Unlike many other filters, Moon Phase does not self-oscillate with high resonance settings. When the resonance control is pushed to maximum it will distort and modify the sound in other ways. The resonance behaviour is always affected by the Stereo Imager control, which applies phase shifting and can add distortion and other interesting artefacts into the sound.
Etna is an advanced triple-control analog multimode morphing filter with digital control, that has been meticulously designed for precise and dynamic sound shaping. Etna allows for rapid or smooth transitions between diverse filter settings, known as snapshots.
Each snapshot comprehensively defines all of the filter’s parameters, which can be adjusted either swiftly or gradually. These transitions are controlled through an applied voltage or clock and triggers, with the flexibility to use up to eight distinct stages for creating complex filtering effects in various audio applications.
In addition to its morphing capabilities, Etna incorporates analog controls that enable real-time, expressive modifications to the parameters of each saved snapshot. This enhancement not only enriches the morphing process but also provides a tactile, live experience that adds significant depth and nuance to the audio output, making it a powerful tool for both studio and live performance settings.
The response of each filter has been designed with top-end components, incorporating Q and passband compensation. This enables its use as three multimode filters, with all necessary analog control.
Features:
3 multimode filters with 24dB slope
Individual CV inputs for each filter
Common resonance parameter for all filters
3 VCAs
8 presets that can be stepped through sequentially
Punch MG is a unique mixer module with built in VCA-Decay & Decay Muting Groups. This module has been specially designed to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.
Key Features:
Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.
This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each
signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.
Envelope outs: Each envelope’s polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Also, the mute group circuit’s influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavors.
AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.
Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate
interactions and captivating sonic landscapes.
Specs:
Width: 16HP
Power Consumption: 180mA +12V, 64mA -12V
Operat is a highly functional, analog oscillator with a multitude of blendable modulation features, making it a module that is just as good as a collaborator as it is a solo module. Starting at its core, Operat offers four basic waveshapes that are blendable via an internal mixer, offering a sine, triangle, saw, and square wave.These waves not only have their individual output, but they additionally have their own individual mixer with CV inputs for introducing complexity at an early stage—use it as a VCA or for amplitude modulation! Additionally, the square wave’s pulse width can be modulated via the PWM control and CV input, with three different flavors to choose from for adding variety to your standard PWM. These and other forms of modulation can be heard in Operat’s fullest extent via the Mix output.
The real magic starts when introducing external modulation to any of Operat’s many CV inputs, offering a wide range of timbres – great for basses, leads, and anything you can think of. The Sync input can act as hard or soft sync to force Operat to any other oscillator’s base frequency, a desirable effect to modulate with the additional exponential FM input. Modulate the internal mixer’s final output with either amplitude or ring modulation for metallic timbres, and a blendable dry/wet control allows you to determine how much of the effect is heard.
More brilliance comes into play with the selectable frequency or phase modulation, producing a wide range of tones that can be introduced with the symmetry parameter, offering subtle sonic shifts to in-your-face aggression. Introducing the Thru-Zero parameter will start to invert the waveform, depending on the positioning of symmetry, and this applies to both FM or PM for maximum harmonic manipulation. Operat can act as a VCO or LFO, making it just as great of a tonal source as much as a modulation source!
FEATURES
Analog thru-zero oscillator
Four individual waves (sine, triangle, saw, and square) with internal mixer, individual levels and CV control for each
Mix output for blended mix of all four oscillators
PWM control and input with three selectable configurations
Amplitude or ring modulation from the internal mixer, including a dry/wet control to blend with original signal
Sync input with selectable hard or soft setting
Frequency or phase modulation with bipolar symmetry control
Thru-zero control to introduce inversion of the FM or PM effect
The Petit Mix is a 3hp Eurorack mixer module with 4 inputs. Each input has its own level control and all inputs are DC coupled to allow for CV mixing as well as audio. There is a bi-colour led on the Frontpanel to indicate signal polarity for active channels..
Ephemere is a two-channel, voltage-controlled buffer for recording and playing back CV signals such as LFOs, envelopes, trigger patterns, or sequences. Each independent channel features latching play and record buttons, as well as a stop button that can also function as a panic control. The Play/Reset and Record functions can also be addressed by external clocking signals for synchronized control, rhythmically bringing the Ephemere into step with any patch. Playback speed and playhead starting position can be adjusted manually or with external CV, allowing you to scrub through your control signals with a level of dynamism and flexibility typically reserved for audio signals.
Optimized for recording control voltages, buffers of up to 1014 seconds are possible when running the Ephemere at its lowest sampling rate of 172Hz. Full-spectrum audio signals up to 4 seconds in length can be stored and recalled when clocking the module at 44.1kHz, which means the Ephemere can also function as a two-channel looper or pair of one-shot samplers. When nothing is patched to a channel’s input, the corresponding Input knob can be used to generate manual CV signals which can be recorded and played back.
With an SD card, up to 16GB of storage is available for storing and recalling your control and audio signals, allowing you to save your favorite cuts between sessions. An intuitive OLED display shows the contents of the buffer for the currently selected channel, as well as the playhead position, providing immediate visual feedback.
With its intuitive interface and extensive CV control, the Ephemere provides a performance-ready, powerful tool for recording and manipulating almost any signal in your modular system, from subaural sequences, to audio signals, and everything in between.
The Copy Cat is a 2hp Dual Buffered Multiple featuring 2 channels of 3 outputs or 1 channel of 6 outputs if nothing is connected to the second input. The module has 2 bi-colour leds to indicate positive and negative voltage.
ADDAC are pleased to announce their take on matrix mixers, a 6×6 stereo matrix easily expandable to larger configurations.
Matrix mixers may need some time to get used to but they are very much self explanatory: each knob controls the volume of a matrix point routing the respective input to the desired output.
The flexibility of a matrix mixer is far superior to that of a standard mixer. The possibility to route any input to any single or multiple outputs allows for very complex chains, combining parallel and series processing while easily reconfigurable without any extra patching.
All Inputs Left channels are normalled to the Right Inputs.
Blank areas on the left and bottom edges of the panel allow for the user to write all the inputs and outputs sources that each channel is connected to.
Different colored knobs for faster visual recalling: Black for A,C,E Outputs Dark Red for B,D,F Outputs Cream knobs for potential feedback diagonal: 1A, 2B, 3C, 4D, 5E, 6F.
DC coupled circuitry, can be used to mix both audio or cv signals.
Jumpers on the back of both modules allow the user to set each channel independently to Line or Synth Level, making it easier to integrate with external sources, sound processors or guitar pedals.
INTERNAL CONNECTIONS
The control and input modules are connected via a large 34 wire ribbon cable, only the control module needs to be connected to the Busboard.
Extra IDC sockets are used for connecting larger configurations like 12×12 or 18×18.
Other configurations are also possible: 6×12, 12×6, 12×12, etc…
Up to 12×12 all ribbon cables are provided, for larger matrixes custom ones will be necessary, contact us directly if planning to go BIG.
